
I haven't started tagging, I swear. Although I must say, the genius who tagged this on the Upper West side somewhere (thanks for noticing and sending me the pic, Wolf) does inspire me to get in the game. I like this "Jocelyn World" concept.

Well, this cover annoys the bejesus out of me. One of the many excellent aspects of The Three of Us is how Blackburn included photos from her life throughout the book with no explanation other that what you pick up from reading the text (none of the pictures have captions). It gives the reading experience an extra-added intimacy. But it also becomes immediately obvious that the cover photo isn't the author or anyone she knows. Not that it has to be...but for consistency's sake, wouldn't it make sense if they'd used a "real" photo on the cover, too? You end up wondering who the heck the half-submerged lady is and why she's on the cover of someone else's book. Or, you do if you're a persnickety realist, like I am!
This earlier version of the book cover from how it was published in London is accurate. I know, it's not as visually captivating as the above cover. But at least these are photos of the actual people in the book!
Hm. Now that I've written this all down I wonder if it's just my own odd take on it. I guess I should just get over it. And wrap some presents!
































This got me interested in her dad's memoir. I looked it up and got it out of the library.Amazon.com: You follow a rich family tradition of writing memoirs steeped in eccentricity. Did you feel pressure to follow the familial literary path?
SS: My father, stepmother and grandfather all wrote memoirs. My stepmother has written two, both wonderful. She's taught me a lot about the difference between recounting a life and telling a story. It’s the story that’s important, if you're going to ask a reader to pay attention to it. So you better think really carefully about the way of telling. I never felt pressure to follow, but the anxiety of influence is another matter! I made a point of not looking at my father's beautiful memoir at all while I was writing mine.

So now I'm rereading How I Came Into My Inheritance. It's still excellent."The series of snags and calamities that Ms. Gallagher has bumped up against throughout her life — the ex-husband who carried brass knuckles, the psychiatrist who seduced her, her current husband's total paralysis — reminded me of an essay she wrote a few years ago for The Times about writing: 'Truly, life is just one damn thing after another. The writer's business is to find the shape in unruly life and to serve her story. Not, you may note, to serve her family, or to serve the truth, but to serve the story.'"




