
I ran over to The Strand and got my hands on the last reviewer's copy! I started recommending it to my sister before I was 20 pages in! And then somewhere in there, I just lost — not interest, really, because hers is an interesting tale regardless, but faith in the narrator's voice and conviction. I felt like she was kind of whining a bit. So I told my sister, eh, don't read it after all, and I'll probably end up selling the book back to The Strand. (I know — harsh.)
But it's weird: after I finished the book, I read an interview on Amazon.com with Sonnenberg which starts:
This got me interested in her dad's memoir. I looked it up and got it out of the library.Amazon.com: You follow a rich family tradition of writing memoirs steeped in eccentricity. Did you feel pressure to follow the familial literary path?
SS: My father, stepmother and grandfather all wrote memoirs. My stepmother has written two, both wonderful. She's taught me a lot about the difference between recounting a life and telling a story. It’s the story that’s important, if you're going to ask a reader to pay attention to it. So you better think really carefully about the way of telling. I never felt pressure to follow, but the anxiety of influence is another matter! I made a point of not looking at my father's beautiful memoir at all while I was writing mine.

Well, can I just say? Lost Property was my favorite book of the summer and perhaps the year! I've never read anything like it before or since. Sonnenberg the Elder grew up in 19 Gramercy Park, the huge, old mansion that was recently renovated on the corner of Irving Place, which in his time was full of crazy amounts of art, servants, and wealthy weirdness (and as I'm sure it continues to be). He's a highly literate lady killer who travels all over the world and dresses well and gets his dad to pay for everything but accrues debt all over the place anyway — in other words, lots of great contradictions, but also just beautiful, self-aware writing. I keep remembering a line he wrote that goes something like, "It was time for me to face myself. Being two-faced, this was difficult." I kind of get the feeling that if I'd met this guy at a party I'd probably want to smack him, but reading his highly entertaining memoir was great, great fun.
At some point I put it together that Sonnenberg the Elder is married to Dorothy Gallagher, a writer I also love! In fact, I have a quote of hers pinned up somewhere so I see it every day, I like it so much. It's from a New York Times article:
So now I'm rereading How I Came Into My Inheritance. It's still excellent."The series of snags and calamities that Ms. Gallagher has bumped up against throughout her life — the ex-husband who carried brass knuckles, the psychiatrist who seduced her, her current husband's total paralysis — reminded me of an essay she wrote a few years ago for The Times about writing: 'Truly, life is just one damn thing after another. The writer's business is to find the shape in unruly life and to serve her story. Not, you may note, to serve her family, or to serve the truth, but to serve the story.'"

And both How I Came Into My Inheritance and Strangers in the House have been recently released in a single volume entitled Life Stories, which is pretty cool, if you like two books squished together like that.
But it's just funny, isn't it? I don't mean to dis Susanna's book. I know — believe me, I know — it's not easy writing about your complicated relationship with your coke-sniffing mom and her sex addiction, your resulting sex addiction, and all the shenanigans that took place in tony locations like New York, London, Monte Carlo, Greece, Barbados — oh my. And she even took Gallagher's advice and wrote a good story. It's just, in this case, in my opinion, her dad and her step mom are just like, whoa. In a way, I admire this Susanna person more for the attempt to write something when she's got such crazy good scribes in her life to live up to, than for the end result.






